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The incumbent supports the office in the development and production of statistical and analytical reports that provide relevant and timely information for institutional reporting, planning, assessment, and decision-making. Karsch has recently formalized the paper atelier services of La Petite Fleur and launched Fleurish Ink. By studying the English language, I am working to perfect my reading and writing skills so that I can articulate my thoughts in such a way that others can better understand me, and I so that I can develop a better understanding of the thoughts of others.
One of my favorite experiences as an English major at Ursinus has been learning and using the different forms of literary criticism when analyzing literature. Through the use of different perspectives when reading a piece of writing, I can really broaden my interpretation of the literature and develop a greater understanding of the culture the author is trying to portray. Providing readers with new perspectives when reading literature is really what I enjoy most about being an English major.
The Bailey lab is an active place with many student collaborators. Bailey and her research students use a mouse model system to study the adaptations that the heart undergoes when subjected to physiologic stress, specifically the stresses induced by pregnancy or exercise. She is particularly interested in the idea that beneficial adaptations can become maladaptive if the stress is too great or sustained for too long.
She also works with transfer students and is an Ursinus College Ally. Bears Make History History A: Modern World History A: Sort courses by day of the week, department, professor, or course level. As a scientific researcher and scholar Dr. King has found great pleasure in all aspects of discovery she has explored.
As a post-baccalaureate at Virginia Tech she aided in the design of baby formula using a piglet model of inflammatory bowel disorder! King then combined her immunological and neuroscience background to engage in neuroimmune pharmacology in at the University of Pennsylvania. Along the way she has taught several classes in Biology and Neuroscience and loves having the ability to combine two of her passions, teaching and science.
What I Love about Writing Writing serves as the ultimate method of communication and conveys messages that are sometimes difficult to articulate in speech.
I am thankful for the ability to express my thoughts through a different lens based upon the context of writing. Tola Gryzgryn lived in Poland.
The inscription on her portrait reads: Tola sent the portrait to her sister who was interned in the Polanka concentration camp Studio Art offers focus on the preparation of students in the creation of art.
Senior CSCG Fellow My passion is for dentistry and conveying the importance of oral health to the public, especially those in underserved areas.
I have traveled out of my comfort zone with classes ranging from gender studies to global health policies.
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In my time as a fellow, I have gained a deeper appreciation for humanity-based medicine and will applythose ideals in my future pursuits as a dentist in impoverished areas. The event spotlighting Dr. Heinzl helped establish Doctors Without Borders in North America, an organization that encompasses the ideals of how I want to practice dentistry.
The lecture by Dr. Tyrone Hayes shone a light on controversial pesticides widely used today.
While my interests do not lie in the environmental or policy making region of science, this event exposed me to controversies in science and challenged me to support my beliefs and opinions with evidence.
My Research I work in Prof. Thrombomodulin is most studied for its role as a down-regulator of blood clotting, but the lectin-like domain has more recently been shown to interfere with proteins in the innate immune system, most specifically Component 3 C3.
By understanding the relationship between these two proteins, we can target the causes of many inflammatory diseases. Instead of going straight into commercial practice, I hopeto join the Airforce Reserves and devote my time to helping underserved areas of both the United States and developing countries.
Originally trained as a scientist, David Goldes uses studio tabletop photography as a way to explore a variety of scientific phenomena. His made-up world is full of fire, electricity, and water, as well as an assortment of household props that include nails, wires, pencils, spoons, and balloons. Upon deciding that he did not want to continue his life as a scientist—molecular geneticist, to be exact—Goldes went to graduate school to study photography. There he was exposed to the wide range of possibilities that defined photography in the s, possibilities that reflected a tremendous transformation in how the camera was used by amateurs and artists alike.
Yet, this method of making photographs had precursors in the early history of photography, especially in the 19th century. Goldes has adopted this anachronistic approach to photographic images, making his work seem simultaneously historical, yet very contemporary. He combines it with his extensive knowledge of scientific practice and love for open-ended, youthful experimentation, declaring an unabashed desire to explore those illusory instants that only a camera can capture.
This exhibition is made possible with the generous support from the Berman Foundation. All Berman exhibitions and programs are free and open to the public OVERVIEW Our team wanted to examine the lingering effects of losing a loved one as a child, and how these feelings manifest into early adulthood. Lawrence before in a classroom setting, but getting to know her as the head of our research team really supported and propelled us to work harder.
Our goal is to provide minority students with a place where they can gather and form strong bonds that will last throughout their lifetimes. Please consider making a gift to help us arrange a speaker that will focus on race, diversity, and social change. During this semester abroad I was a student council member of CAPA and I had an internship at a non-profit organization, called the Baytree Centre, located in Brixton, that helped disadvantaged women and girls of the urban community.
From his first year, when he won a national poetry competition, to being named winner of a Senior Alumni Award, Brian was a four-year Ursinus all-star.
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He worked as writing tutor and staff manager for the Center for Writing and Speaking and served as house coordinator in Zwingli Hall, the art and writing special interest house, and expertly guided The Grizzly as editor. But his influence went beyond Collegeville.
He helped found a nonprofit, Beyond the Bars, which provides music instruction to incarcerated and underserved youth within the City of Philadelphia. It was my great pleasure to be advisor and friend to Brian for all four years at Ursinus.
I look forward to continuing that friendship. In a historical context, art of the avant-garde challenges conventional society, culture and artistic practices through content or material exploration.
One of the most compelling qualities of the avant-garde is that it is always changing, yet we can still look back and observe its evolution over time. During the fall semester, Kara student taught 11th and 12th grade classes at Souderton Area High School.
I believe that my education at Ursinus College has prepared me to be the best teacher I can be. Moreover, I have had the opportunity to reflect on what education and educators should do through Summer Fellows and Honors research. I am immensely grateful to my professors for their mentorship and encouragement, and I am looking forward to beginning my career as an educator.
Ashcroft is a lecturer in geology and other Earth-related topics. Private sales don't count because there is no publicly available record of the transaction and word-of-mouth tends to exaggerate a price. We've also used the same valuation methodology as previous lists the auction price listed includes the buyer's premium to reflect the total price paid by the purchaser and we've converted all prices into American dollars at the prevailing exchange rates on the day of the auctionordering the list based on the price in American dollars, mainly because America is the heart of the collectibles industry, and we once before found that using more than one currency is problematic due to fluctuating exchange rates.
Eric Clapton guitars the most valuable Even more so than with cars and motorcyclesprovenance is key in our most expensive collectible guitar listings, and the tools of the trade of the most prominent guitar heroes have risen to the top in the auction marketplace. Brownie was the most valuable guitar ever auctioned when it fetched that price at a Christies auction on 24 June, Major artists with more than one entry in this list are also, not co-incidentally, the leading proponents of the electric guitar.
Glenn Kenny of Barron's captured the essence of the equation in this article on guitar investment when he wrote: Value is found as much in how the instrument played a part in musical history as it is in the fineness of its tone. That said, among the axes of the guitar gods on this list are many original guitars with no links to major entertainers whatsoever. Gibson's original run of Explorers and Flying Vs are worth more than a quarter million apiece in good condition, with Gibson Les Paul Standards, Martin Ds, Martin OMs, Martin Ds and Martin s all capable of running well into six figures.
These are guitars which have become valuable due to their fineness of tone and their limited production runs, and can be regarded as blue chip investments. Quality plus scarcity equals value on the auction block.
Now there may well be some long-term changes beginning in the guitar industry because the advent of digital music production software and the limitless processing power to create any sound imaginable are changing the landscape, but those changes are only just beginning to impact new guitar sales. In addition to a robust used guitar industry, there are still 2.
That's a massive and growing user base which appreciates the craftsmanship and tone of the vintage guitar. There's also the ageing demographic of the world to consider.Decals for stair risers
The baby boomer generation is now beginning to control the world's wealth, and is the wealthiest generation in history, with more Ultra High Net Worth Individuals UHNWI than any generation before it. It's the generation that went through puberty as the guitar gods were anointed. Rock stars are the heroes of the age, guitars are the primary tools of their trade, and there are no prizes for guessing where the majority of the world's UHNWI grew up.
Guitars as an investment It's fair to say that guitars are not yet as robust an asset class as traditional stocks and bonds. When the availability of liquidity dried up in the mids, the price of guitars took the best part of a decade to recover, then it stalled again with the dotcom bust, and it is only recently on a roll after the financial crisis.
Though it must also be said that when the market is rolling, wisely investing in guitars offers far greater returns than anything you'll get in the stock market. Our musical heritage is again a driving factor, and the new wave of money brought by the rise of the Internet has created a new class of investor with a different set of tastes and values. It's not every vintage guitar that appreciates rapidly in value though. As Gibson itself states on its website"The vintage and limited edition guitar growth in market value is often quoted at about 15 percent per year on average, but these are generally limited to instruments built during the s and s.
This guitar was sold at an auction co-ordinated by Canadian singer-songwriter Bryan Adamsin Doha, Qatar on November 16,to raise funds for the tsunami charity, Reach out to Asia. The guitar auction was conducted by Sotheby's Henry Wyndham, who said from the podium, "I have auctioned many items for charity in my life but never have I witnessed the levels we achieved tonight. This will stay in my memory for a very long time indeed. Bob Marley guitars have twice been shrouded in controversy here's the other onewhich is a great shame because his memory deserves better.
If anyone has any information that can help in validating or invalidating the many claims published on the Internet regarding this guitar, we'd be deeply appreciative.
Richards sold the guitar to Mick Taylorof John Mayall and the Bluesbreakersand when Taylor replaced Brian Jones in The Rolling Stones in it returned to the band for a further two years before being apparently stolen inone story suggesting during the recording of Exile on Main St.
The Fender Stratocaster which Bob Dylan used in his infamous "electric" performance at the Newport Folk Festival When Bob Dylan took to the stage at the Newport Folk Festival on July 25,the three-song set the year-old poet-singer-prodigy performed made news around the world.
It was the first time Dylan had performed with an electric backing band, made up of Mike Bloomfield and some members of The Paul Butterfield Blues Band and it was, according to Rolling Stone magazine, "one of the most notable events in music history. This is the Fender Stratocaster Dylan used during that performance and it made headlines in when it was submitted to the PBS television program History Detectives for authentication, going on to be auctioned by Christies in New York on 6 December, and becoming the most expensive stage-used guitar to sell at auction.
The full auction description is worth a read for the back story, which included full-on fisticuffs between Dylan's manager, Albert Grossman, and festival board member and staunch traditionalist Alan Lomax and the comments of American folk legend and political activist Pete Seeger, "if I'd had an axe I'd cut the cable.
Used both on stage and in the studio from the early seventies to the mid eighties by Eric Clapton. Clapton auctioned Blackie to raise money for his Crossroads Rehabilitation Center. Clapton was a heroin addict for many years and once he emerged at the end of the ordeal, he subsequently devoted a significant proportion of his wealth and influence to help the similarly addicted.
Blackie is special in many ways. Clapton told Dan Forte in a interview published in Guitar Player: I get offered guitars and endorsements come along every now and then. I tried it, and liked it, and played it on stage — liked it a lot. But while I was doing that, I was thinking 'Well, Blackie is back there. If I get into this guitar too deeply, it's tricky, because then I won't be able to go back to Blackie. And what will happen to that? I can be miles away thinking about this stuff, and suddenly I shut down and say, 'This is enough.
You're very nice, but A unique custom guitar made by master Luthier Doug Irwin and the primary guitar of Grateful Dead lead guitarist Jerry Garcia from to The last guitar Garcia played publicly. One of popular music's original "wild men," Jerry Garcia was the lead guitarist, lead singer and songwriter for the Grateful Dead for its entire 30 year performing career, which included an amazing 2, concerts, despite battling diabetes, cocaine addiction and heroin addiction.
Though Irwin built five guitars for Garcia, two guitars in particular were used for the majority of his work, being Tiger his main guitar from to and Rosebud his main guitar from to Due to a problem with Rosebud during the final Grateful Dead concert July 9, before Garcia's death on August 9,Tiger was the last guitar Garcia played publicly. No doubt Deadheads already know of this wonderful resource on the Dead's instrumentsbut if you are a fan, you'll be delighted.
Originally purchased by Clapton inthis hollow-body electric guitar was used throughout his career, playing a role in the music of the Yardbirds, Cream, Blind Faith, John Mayall's Bluesbreakers and his post-addiction solo career, becoming one of Slowhand's principal stage-used guitars during the nineties.
Fellow Yardbird Chris Dreja was photographed playing Clapton's more often than Clapton in this early stage of Clapton's career. In DecemberClapton played this guitar on Badge and other tracks from the Goodbye album. Clapton used this guitar extensively with Blind Faith in recording sessions and on stage during the Scandinavian and US Tours that followed. Clapton said in a interview that this guitar was also used on his rendition of Ray Charles' Hard Times released on the Journeyman album.
According to Lee Dickson, this guitar was taken to practically all of Clapton's recording sessions from to Clapton can be seen playing this guitar at Filmore West on the 8th and 9th of November,in the footage of a documentary film of the Nothing But Blues Tour, directed by Martin Scorsese. It remained as a stage guitar, largely reserved for Freddy King numbers, until the summer of Again, it was captured in concert footage that year when Clapton used it on various TV shows, most notably the VH-1 Duets program with Dr.
John at Roseland, New York on the 9th May, It went on to serve as Clapton's main stage acoustic guitar between andmostly used in the opening acoustic segments of the Blues concerts for numbers such as Malted Milk. When Martin was developing its first Eric Clapton signature model EC, Eric Clapton requested that the construction of that guitar should be based on the structure of this guitar.
A Martin publicity photograph at the time shows Clapton holding this guitar in one hand, and the new signature model in the other. Although Clapton Signature Martin guitars with built-in pickups began to be used for larger concert venues from onward, this guitar remained as the main stage acoustic guitar through the Far Eastern Tour and the first leg of the Pilgrim US Tour in Jerry Garcia's first custom made guitar, made by Doug Irwin, who, at that time was working for Alembic in San Francisco.
Irwin made Garcia's 'Eagle' guitar and Garcia was so impressed with it he asked Irwin to make another, but with Stratocaster pick-ups. The result was the 'Wolf', delivered to Garcia inand played for six years.
At the same time he commissioned another guitar from Irwin, one with which he gave Irwin complete free rein to build. It took six years to complete this second guitar which became known as 'Tiger' — see above on this listing. Garcia's Wolf guitar suffered some damage during a European tour in and was returned to Irwin for repairs.
It was at this time that Irwin replaced the Wolf sticker that Garcia had stuck onto the guitar, with wood inlays. Garcia willed, on his death inboth Wolf and Tiger to Doug Irwin.
After Irwin settled a lawsuit against the Grateful Dead in November "The Dead" had claimed ownership of the instrumentsIrwin put them up for sale in a Guernseys auction of Grateful Dead memorabilia at Manhattan's Studio The standing-room-only crowd cheered every bid, as Garcia's guitars zoomed past the previous world record figure for a guitar.
Beatlemania was just beginning and Harrison met a few other young musicians during his stay and told them about his interest in buying a Rickenbacker. Harrison looked at Fenton's selection and chose the guitar he liked, but it wasn't available in his preferred black to match Lennon's black Rickenbacker. The guitar was refinished in black and on his return to the United Kingdom, he used it during The Beatles' first appearance on the television program Ready Steady Go!
Harrison used the guitar during the Beatles' October week-long tour of Sweden, the first overseas gig for the band since their early days in Hamburg. He interchangeably used his Country Gentleman and the Harrison was photographed with the guitar extensively on this tour, and the entire band was photographed posing with the guitar as well. This is purported to be the only known photograph in existence of all four Beatles holding a single guitar.
This song, The Beatles' fifth single, gave the band its break in the US market. The same session produced the recording of This Boy. John Lennon also played the guitar backstage at a performance in Glasgow, Scotland, on October 5, A photograph published in an August Beat Monthly magazine shows Lennon with this guitar.
In the late s or early s, Harrison gave the guitar to George Peckham, who had a long association with Apple and especially George Harrison in multiple roles, including cutting engineer at Apple. Peckham had borrowed a guitar from Harrison for his appearance on Top of the Pops, as a rhythm guitarist in the band The Fourmost. When he went to return the guitar, Harrison gave it to him, saying that it was a "great rhythm player. Peckham kept the guitar in the condition he received it with no further modifications.
The guitar case sold with the guitar was given to Peckham by Slade band member Noddy Holderas Peckham was carrying it around without a case. Holder said he couldn't bear to see a Beatles guitar carried around without a case. Blues guitarist Stevie Ray Vaughan received this instrument from his wife, Lenny, in as a 26th birthday present.
They presented to him on October 3,at Steamboat Springs — a nightclub he often played at.
He replaced the neck with the mid-'50s-style maple neck given to him by Billy Gibbons. He kept the tremolo arm, pickups and frets in their original condition, but added his signature and the SRV initials, which were a trademark of the majority of Stevie Ray Vaughan's guitars, on the neck plate and pick guard. The guitar has Mickey Mantle's autograph on the back of the body. Mantle signed it on April 10,when Vaughan was invited to play the national anthem at the Houston Astros season opener at the Houston Astrodome.
Stevie recorded with this guitar on many of his love songs, including Riviera Paradise, and of course Lenny, and it was used on stage whenever he played Riviera Paradise live.
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Stevie Ray Vaughan died in a helicopter crash in This is the only known one to ever have been released. This Rex acoustic was the first guitar Paul McCartney ever held. It was also the guitar on which he learned his first chords. It was also the guitar on which I learned my first chords. It is the same guitar that he used to woo John Lennon with a few of the chords that Ian James had taught him, and so gained entry into John Lennon's band The Quarrymen in One of the few guitars in this list not previously owned by a legendary guitar player, gaining its value through scarcity.
The model was discontinued in the early sixties, being referred to by Gibson historian Walter Carter as, "a commercial disaster," though it were reissued again in the s when the radical styling was better received.