Petruchio and catherines relationship counseling

The Relationship of Petruchio and Katherine by Maeve Allan on Prezi

petruchio and catherines relationship counseling

-Patrick in the modern movie adaptation of the play (10 Things I Hate About You) is new to the school and somewhat of an outcast, and agrees. dition of the marriage, but then Petruchio simply lies in asserting that she has fallen in .. follows Hortensio's advice to "Say as he says or we shall never go" only .. For a review of medieval shrew literature, see Katherine Rogers, The Trou. the relation of agency and submission chiefly with respect to Katherine s character. . nobles to be counselors; Arthur Ferguson argues that "the humanists.

Shakespeare scholar Stanley Wells points out that the great British actress Dame Peggy Ashcroft did exactly the same thing when she played Kate.

petruchio and catherines relationship counseling

The thing is done! Kate understands the game, she finds pleasure in it, she actually enjoys the bond with Petruchio.

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Kate is slow to comply, and Petruchio starts to leave to return home. Now pray thee love, stay. Come, my sweet Kate.

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Of course it is Kate: Petruchio has asked Kate to perform. She has agreed, and her performance is marvelous. And like all great performances, it depends on a great deal of trust in her director, Petruchio and her belief, if just for a moment, in the truth that may be contained in the words.

Can she imagine the sun as the moon, an old man as a young woman, a completely compliant wife? Of course she can! But why would she want to? We have seen what Kate and Petruchio have conquered, though: And perhaps their absolute individuality. Maybe Shakespeare is saying that one of the great consolations of marriage is the inside joke! Though we hope maybe Bianca and Lucentio will get there in the end. No connubial bliss for Eliza and Henry, oh no.

'Taming of the Shrew': Marriage advice from Shakespeare? | Oregon ArtsWatch

I somehow doubt it. Would he understand contemporary feminism? Did I feel ashamed to see it in the company of women? I confess I did not. Does that make me a misogynist? I certainly hope not. Maybe it takes a theater of modern sensibility to detect that direction and take advantage of it, as I thought both Oregon Shakespeare Festival and Portland Shakespeare Project did.

I thought I could trust Geisslinger and Porter specifically to imbue their respective Kates with dignity and humanity; and directors Michael Mendelson PSP and David Ivers OSF to locate the humor of the right sort, as broadly as they asked the actors to play it.

To flip it around, you can buy Petruchio for gold. I would not wed her [Kate] for a mine of gold. And apparently, at least when it comes to love and marriage, he is utterly without principles, though we come to believe that his father had them. So, a rank opportunist, a rake, a bad boy, unreasonable and ill-disciplined. They are as crazy as Kate. But then a funny thing happens. As we watch him devise a way to change Kate and then begin to implement that plan, we start to like Petruchio a little more.

The tactic involves the tried-and-true torture methods of withholding food and sleep, sure, though employed in the name of care or concern for Kate. And violence is suggested by his rough way of handling servants.

But Shakespeare gives us a glimpse or two of his vulnerability and uncertainty, too. Petruchio is committed to the course of training his fierce falcon, though not to turning her into a passive hen and presumably, Petruchio could marry Kate, stash her in a country villa, and never see her again, right? And then we start to hear something else from Petruchio, something that sounds a lot like a progressive principle or two: At some point we start to understand that he has developed real feelings for Kate.

'Taming of the Shrew': Marriage advice from Shakespeare? | Oregon ArtsWatch

Just in their obsession with the task, maybe? David Kinder In a set of four brief scenes, Shakespeare sketches the final transformation of two froward people into one loving couple.

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The last of these is infamous in some circles, and if we take it alone, for good reason: But that scene does not stand alone, and in the context of the other three, maybe we begin to see what Shakespeare was driving at?

Finally Kate relents, after Hortensio, who is traveling with them, begs her to play along. This is how she explains it to herself and Petruchio: Shakespeare scholar Stanley Wells points out that the great British actress Dame Peggy Ashcroft did exactly the same thing when she played Kate. The thing is done! Kate understands the game, she finds pleasure in it, she actually enjoys the bond with Petruchio.

petruchio and catherines relationship counseling

Kate is slow to comply, and Petruchio starts to leave to return home. Now pray thee love, stay. Come, my sweet Kate. Of course it is Kate: